
Jenna Zeise
2025
Bachelors in Fine Arts
jennazeise@gmail.com
Biography
Jenna Zeise is a senior undergraduate studying photography at Bradley University. She was born and raised in Milwaukee, WI where her love for the arts began, surrounded by the flourishing art scene and family members who shared her affinity for the craft. While concluding her BFA, Jenna has developed her skills in multiple mediums beyond photography, including painting and drawing, to depict themes that merge modern ideologies and classic techniques to question traditional values. Jenna also enjoys creating work in commercial settings; her post-graduation endeavors include pursuing her professional interest in sports photography while continuing her personal conceptual art ventures. Her work has been featured in publications such as Bradley University’s literary art journal: Broadside and the student newspaper The Bradley Scout. Recent exhibitions include the BFA undergraduate exhibition, Nothing Twice the Same, at Bradley’s Heuser Art Gallery and her photography senior thesis exhibition, Cultivate, at the Peoria Art Guild.
Artist's Statement
Reaped Abundance: Decay is a sub-series of Zeise’s primary series Reaped Abundance, which also explores the political and social implications of legislative and societal censorship surrounding the female body, reproduction, and menstruation. Through the use of symbolic objects – fruits like papaya, pomegranates, and oranges – the work examines how historical and mythological imagery can depict the ongoing sexualization, and consequential suppression, of female anatomy in the modern day. Employing a Renaissance-inspired still life aesthetic, the series evokes a sense of being trapped in the past while simultaneously highlighting these symbols in a contemporary dialogue. Where this series differs from the primary is the placement of the digital pixelation and how the application serves as a visual metaphor for the continuous rise of societal and legislative censorship, with the subject gradually becoming more concealed as each image progresses. Though the fruits themselves are not inherently sexual, their distortion prompts the audience to reflect on the social climate in current events and how rights from multiple minority groups are being stripped in local, state, and federal levels. By balancing beauty with restriction, viewers are invited to question their own reactions to censorship, including their involvement, or perhaps, complacency, in these social issues.
More of My Work
I’m graduating with multiple degrees! Check out my work in another thesis exhibit.
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